Period Louis XVI armchairs, such as this rare pair of His and Hers Bergère chairs dating to circa 1780, were markedly different than seating from previous styles. Less ostentatious than its predecessors, the appeal of Louis XVI chairs is the subtle ornamentation of the frames and the graceful silhouettes.

There are noticeable differences between the forms and the dimensions of our two chairs, indicating that one was designed for a man, while the other was intended for a woman. The larger (HIS) chair can be considered a bergère confessionale, with the upholstered sides that enclose the occupant. In contrast, the smaller HERS chair has elongated arms with much larger manchettes, making an exaggerated profile that this period is known for. The frames of both chairs have been carved similarly, with leaf cup finials on the backs that rise from banded laurel leaves that are set between beading and rais-de-Coeur, with all three motifs being seen during Louis XVI. Raised florets adorn the tops of each handrest, while less prominent flowers grace the remaining sides. The highly sinuous arm stumps feature additional rais-de-Coeur, partially obscured by a large acanthus just above square joineries embellished with rosettes that interrupt a border of laurel leaves. Four tapering chandelle legs are also festooned with two rings of beading near the top and a leaf cup above the small bun feet. Both frames have been painted French gray, which pairs nicely with the gray, blue, and cream rhombille tiling upholstery that is affixed by numerous nailheads.

It is quite rare to find a pair of period Louis XVI Bergère armchairs distinctively carved as a His and Hers set. These beautiful and comfortable chairs can be presented in a living room, bedroom, or game room. The neutral palette and graceful forms allow them to be used with traditional or modern interior design.

CONDITION: Good antique condition. Light nicks, rubs, and age separations to the frames, with minor paint losses. Commensurate wear to upholstery, presenting as discoloration and light runs. Some missing motifs, such as a rosette on the leg of the Hers chair, and a segment of nailheads.